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The BadAds Weblog: September 2003
Weblog Archives
Rated "G" for Grotesque
Saturday morning cartoons have always
been little more than ads for products or brands: the Smurfs, Transformers,
Care Bears. Surrounding these animated advertisements are, of course, more ads
for other products that kids learn to love.
Unfortunately for the owners of these
Saturday morning offerings -- not to mention the toy manufacturers the
rise of the Cartoon Channel and the Nickelodeon powerhouse that is Spongebob
Squarepants has dropped the floor out of their audience. But r ather than admit
defeat, the toy manufacturers are leaving behind the televised field of battle
to take their products straight to the big screen.
As Evelyn Nussenbaum reported in
The New
York Times on September 21, 2003 (use "badads" for username and password),
movie versions of Hot Wheels, G.I. JOE, Lego's Bionicle products, Transformers,
My Little Pony, and Super Soaker squirt guns (!!) are all being developed. Such
features follow in the wake of "Pirates of the Caribbean" and "Haunted
Mansion," both of which are based on Disney-owned amusement park
rides.
"It's part of our core-brand expansion
strategy," said Jane Ritson-Parsons, president of Hasbro Properties Group, in a
press release about the My Little Pony and Super Soaker movies. "What we're
looking to do is really expand our brands within the world of the consumer,
within every part of their lives."
Said Ritson-Parsons in a separate
press release for the live-action G.I. JOE movie, "The depth of the G.I. JOE
brand provides incredible opportunities to integrate the property into many
lifestyle areas. From a highly successful publishing program to a wide variety
of relevant consumer product categories, we are able to involve fans of all
ages into the adventurous world of G.I. JOE."
Nussenbaum explains that while
companies like Mattel and Hasbro are looking for new advertising venues, movie
makers aim to use familiar brands to lure audiences back from the Internet and
video games and into theaters. "Think of it as prefab housing,'' says Bill
Mechanic, who oversaw "Titanic," "Braveheart," "Fight Club" and "Boys Don't
Cry" when he was chairman and chief executive of 20th Century Fox Films. "It's
a way of getting through the marketing clutter."
Mr. Mechanic, that's one of the most
retarded statements we've ever heard, but it's one we've grown used to hearing
from marketers eager to foist more ads upon us. They somehow believe that their
particular promotion is unique, that it rises above the dross and filth of
common advertisements, that it will be embraced by the public as the artistic
beacon they've waited their entire lives for.
Mr. Mechanic, Ms. Ritson-Parsons,
please spare us your marketing babble. We've heard it all before and it's
getting old. In fact, let us tell you how old it has gotten:
Bill Mechanic Pandemonium 100
N. Crescent Drive Suite 148 Beverly Hills, CA 90210
Jane Ritson-Parsons C/o Stacey
Roberts E-mail: Sroberts@hasbro.com
September 23, 2003
Snapple Puts New York City on the
Map
September 11th might have been a day
for remembrance in New York City, but the day before was all business with the
announcement of a $166 million deal with Snapple that makes the beverage
company's products the city's official iced tea and water.
As David Herszenhorn
reported
in The New York Times (registration required), the five-year deal gives
Snapple "exclusive r ights to place vending machines in the city's 1,200 public
schools." Snapple gains pouring rights in police stations, sanitation depots,
and other city-owned properties starting in 2004.
In exchange for access to New York's
children and public workers, Snapple will pay a minimum of $8 million per year
to the schools and another $13 million to the city. It also promises to spend
$12 million annually on advertising that promotes both the city and its
products.
While talking about the deal, Joseph
Perello, New York City's chief marketing officer offered this threat: "This is
the start of a select number of really high-quality partnerships."
Mayor Michael Bloomberg announced the
deal on the athletic field of the Bronx's John F. Kennedy High School with a
Snapple vending machine and the high school's football team standing behind
him, saying, "It is my pleasure today to announce the first official
corporate-marketing partnership the city has established. Given the global
popularity of Snapple products, this will present the city with countless new
opportunities to make positive impressions on people around the
world."
Are we mistaken, or is Bloomberg
suggesting that Snapple has wider name recognition than New York City? That the
city must rely upon the kindness of strangers with big wallets to make a
positive impression on world citizens?
Please write Mr. Bloomberg and let him
know how backwards his priorities are, how in the world that most of us inhabit
New York City holds far more stature than some random sugar water manufacturer,
how that stature could easily vanish thanks to deals such as this.
Peter Madonia, chief of staff for
Mayor Bloomberg Phone: 212-788-2728 Fax: 212-788-7169
Online Contact
Form
P.S. Thanks to Brad Sagarin for
passing along the NYT link. Says Brad, "As a native New Yorker, I can't tell
you how proud I am that the city has sold out to Snapple."
September 14, 2003
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What Makes an Ad Bad?
Where you draw the line is up to you but we feel that an ad meeting any one of the following criteria qualifies as intrusive:
1. You can't turn it off. You can close a magazine and turn off the television, but billboards tower overhead night and day.
2. It enters your home without permission. Pardon me, Mr. Telemarketer, may I see your invitation?
3. You're a captive audience. This can be in schools, in movie theaters, at a urinal, or waiting for your receipt at the ATM.
4. It doesn't support anything, or it costs you mon ey. Radio ads support free programming, but you pay, directly or indirectly, for faxed ads and junk e-mail.
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